4007 McWHINNEY STREET 10" x 14" acrylic and assemblage on styrofoam. We always went to Grandma's house for Thanksgiving when we were small. This piece represents her red brick front porch, and tries to evoke the fustiness, photos, and face-offs that are part of "family." Note the can of worms at the bottom! Grandma was afraid of a lot of things, from the weather to demon alcohol! and we protected Grandma, mostly by not telling her things. People say they can see a face in the negative space between the two women facing each other. I didn't intend it, but I can see it, too. Some elements of a piece of art create themselves! This piece is not for sale, though my mother (facing Grandma) is quite proud that she has been featured in exhibits.
CHRONOS 2 is another 9" x 12" shadowbox. It has a medieval castle and a banner and a space-age feeling collage all co-existing within a big "time portal" on the glass. How far away are we from those times? We've seen progress in the development of mechanical things, yes, but how much progress have we made in dealing with other human beings and nations? Was it Gandhi who, when asked his opinion of western civilization, said he thought it would be a good idea? And who said that if we didn't remember history, we would be doomed to repeat it? We could settle space, build castles in the air, but if we carry our current level of greed and violence and fear with us, well, we might as well be living in a hut in the middle ages, waiting for the plague to strike. I did this collage around the time of the first "Desert Storm" operation, when Crusades and the horrors of technology were much on my mind, and not much has changed since then.
CHRONOS 1 First serious snow of the season is on the ground here today and nobody is outside -- this 9" x 12" assemblage in a shadow-box is based on the page from the almanac called Killing Frosts and Growing Seasons. A good reminder that creative work comes in cycles of time and that hibernation is part of the natural cycle. This piece gives time a face, painted on the glass of the frame over the assemblage. Not a particularly friendly face, but on closer look, the mouth open to devour is a pair of hands holding the soil of the next season. Time for a nap! to gather energy for the next productive period.
SOLAR AND LUNAR ASPECTS This is the piece of work I always turn to when I have to introduce myself. It is a 14" x 18" painting/assemblage on two joined styrofoam packing cases. It brings together the studious, responsible, orderly me with a wilder side and gives them a certain balance. At least, I like to hope so!
So why a blog? To make myself get back to work. To make myself get my work out into the public eye. It's so personal, I shy away from that, but it's time. My goal is to post several pieces a week here, starting with older work I already have on hand. As of December 1, I am renting a studio in downtown Oil City's National Transit Art Center to use as work and exhibition space. The 12 pieces that are now on display at Clarion University Venango campus will come home to my new studio instead of to my living room. Exciting! Scary. The hermit is finally going public.
My work is both personal, in the way a dream or a memory is personal, and archetypal -- an attempt to match external forms with internal themes. See whatever speaks to you in it! Most pieces are for sale in the $100 - $400 range, but I'll consider any reasonable offer. Thanks for stopping by!